누가 와 데이트 했나요?

바르시네(고대 그리스어: Βαρσίνη, 라틴어: Barsine, 기원전 363년 경 - 기원전 309년)는 프리기아의 사트라프인 아르타바조스 2세의 딸로 로도스의 멘토르의 아내이며, 그가 죽은 후 멘토르의 동생 멤논의 아내가 된 인물이다.

Cleophis (Sanskrit: Kripa ) was an Assacani queen and key figure in the war between the Assacani people and Alexander the Great. Cleophis was the mother of Assacanus, the Assacanis' war-leader at the time of Alexander's invasion in 326 BCE. After her son's death in battle, Cleophis assumed command and negotiated a settlement that allowed her to retain her status. Later accounts claim Cleophis had a son by Alexander, a notion dismissed by historians.

The Assacani (called Ashvakas in Sanskrit, from the word Ashva, meaning "horse") were an independent people who lived in parts of the Swat and Buner valleys in ancient Gandhara. These highlanders were rebellious, fiercely independent clans who resisted subjugation.

헤파이스티온(고대 그리스어: Ἡφαιστίων, 라틴어: Hephaistion, 기원전 356년 ? - 기원전 324년 가을)은 마케도니아 왕국의 알렉산더 대왕의 참모이자, 절친한 친구이다. “그는 왕의 모든 친구들 중 가장 친했던 친구였으며, 알렉산더와 같이 자라고, 모든 비밀을 공유했다.” 알렉산더와 같은 또래였지만, 신장과 체격이 더 뛰어났고, 외모는 아름다웠지만 유약하지 않았으며, 무술이 뛰어났다. 대왕과 매우 친밀한 관계로 대왕보다 1년 빨리 병사했을 때, 대왕은 매우 슬퍼한다.

Campaspe (; Greek: Καμπάσπη, Kampaspē), or Pancaste (; Greek: Παγκάστη, Pankastē; also Pakate), was a supposed mistress of Alexander the Great and a prominent citizen of Larissa in Thessaly. No Campaspe appears in the five major sources for the life of Alexander and the story may be apocryphal. The biographer Robin Lane Fox traces her legend back to the Roman authors Pliny (Natural History), Lucian of Samosata and Aelian's Varia Historia. Aelian surmised that she initiated the young Alexander in love.

According to tradition, she was painted by Apelles, who had the reputation in antiquity for being the greatest of painters. The episode occasioned an apocryphal exchange that was reported in Pliny's Natural History: "Seeing the beauty of the nude portrait, Alexander saw that the artist appreciated Campaspe (and loved her) more than he. And so Alexander kept the portrait, but presented Campaspe to Apelles." Fox describes this bequest as "the most generous gift of any patron and one which would remain a model for patronage and painters on through the Renaissance." Apelles also used Campaspe as a model for his most celebrated painting of Aphrodite "rising out of the sea", the iconic Venus Anadyomene, "wringing her hair, and the falling drops of water formed a transparent silver veil around her form".