누가 페기 애시크로프트와 데이트 했나요?

이디스 마거릿 에밀리 "페기" 애시크로프트 여사(영어: Dame Edith Margaret Emily "Peggy" Ashcroft, DBE, 1907년 12월 22일 ~ 1991년 6월 14일)는 잉글랜드의 배우이다.

John Boynton Priestley (; 13 September 1894 – 14 August 1984) was an English novelist, playwright, screenwriter, broadcaster and social commentator.

His Yorkshire background is reflected in much of his fiction, notably in The Good Companions (1929), which first brought him to wide public notice. Many of his plays are structured around a time slip, and he went on to develop a new theory of time, with different dimensions that link past, present and future.

In 1940, he broadcast a series of short propaganda radio talks, which were credited with strengthening civilian morale during the Battle of Britain. In the following years his left-wing beliefs brought him into conflict with the government and influenced the development of the welfare state. He wrote a number of plays during this period, including An Inspector Calls (1945).

Paul Leroy Robeson ( ROHB-sən; April 9, 1898 – January 23, 1976) was an American bass-baritone concert artist, actor, professional football player, and activist who became famous both for his cultural accomplishments and for his political stances.

In 1915, Robeson won an academic scholarship to Rutgers College in New Brunswick, New Jersey, where he was the only African-American student. While at Rutgers, he was twice named a consensus All-American in football and was elected class valedictorian. He earned his LL.B. from Columbia Law School, while playing in the National Football League (NFL). After graduation, he became a figure in the Harlem Renaissance, with performances in Eugene O'Neill's The Emperor Jones and All God's Chillun Got Wings.

Robeson performed in Britain in a touring melodrama, Voodoo, in 1922, and in Emperor Jones in 1925. In 1928, he scored a major success in the London premiere of Show Boat. Living in London for several years with his wife Eslanda, Robeson continued to establish himself as a concert artist and starred in a London production of Othello, the first of three productions of the play over the course of his career. He also gained attention in Sanders of the River (1935) and in the film production of Show Boat (1936). Robeson's political activities began with his involvement with unemployed workers and anti-imperialist students in Britain, and it continued with his support for the Republican cause during the Spanish Civil War, the Soviet Union and Joseph Stalin, and his involvement in the Council on African Affairs.

During the Second World War, Robeson initially opposed Allied war efforts and US entry into the conflict during the Molotov–Ribbentrop Pact, but became a highly vocal supporter of the war efforts after the German Invasion of the Soviet Union. His history of supporting Soviet policies brought scrutiny from the Federal Bureau of Investigation (FBI). After the war ended, the Council on African Affairs was placed on the Attorney General's List of Subversive Organizations. Robeson was investigated during the McCarthy era. When he refused to recant his public advocacy for the Soviet Union, the U.S. State Department withdrew his passport and his income plummeted. He moved to Harlem and published a periodical called Freedom, which was critical of United States policies, from 1950 to 1955. Robeson's right to travel was eventually restored as a result of the 1958 United States Supreme Court decision Kent v. Dulles.

Between 1925 and 1961, Robeson released recordings of some 276 songs. The first of these was the spiritual "Steal Away", backed with "Were You There", in 1925. Robeson's recorded repertoire spanned many styles, including Americana, popular standards, classical music, European folk songs, political songs, poetry and spoken excerpts from plays.